
I just bought another bottle of Oban Scotch. One of the best single malts, but at close to $80 a bottle and don't see myself stocking up on it.
I just bought another bottle of Oban Scotch. One of the best single malts, but at close to $80 a bottle and don't see myself stocking up on it.
- from the topic: What's Next?????
I know this may sound fairly basic, but when I was working on learning flute it helped me to make sure that I had all keys completely down. I think that this is a common problem for younger players especially since they are working with smaller hands.
Could this be a day that ends in mass rioting and ?????? Could get crazy or it could end as a egg on all of the Birthers' faces. Interesting development though.
Birthers get their day in court - Obama must prove his citizenship
Discovery Hearing, October 5, 2009
Pre-Trial Hearing, January 11, 2010
Trial, January 26, 2010
The Genesis drummer said an operation to repair dislocated vertebrae in his neck had left him unable to hold drumsticks properly or play the piano.
But Collins, 58, took a philosophical view of the injury, which he originally suffered during the last Genesis tour, in 2007, saying ''stuff happens in life''.
''There isn't any drama regarding my 'disability' and playing drums,'' he said.
''Somehow during the last Genesis tour I dislocated some vertebrae in my upper neck and that affected my hands.
''After a successful operation on my neck, my hands still can't function normally.
''Maybe in a year or so it will change, but for now it is impossible for me to play drums or piano.
''I am not in any 'distressed' state - stuff happens in life.''
At a Prince's Trust garden party earlier this week, he said the problem had come about because of his drumming posture, which meant his vertebrae had been crushing his spinal cord and he was now unable to hold his sticks without pain.
Is Region 16 an isolated region? Is there a pre-Area Orchestra audition or a contest that certifies auditioners to compete at the Area level against students who have taken the band track?
Interesting article.
http://www.guardian.co.uk/technology/2009/sep/08/guitar-hero-bill-wyman-stones
Bill Wyman, the former Rolling Stones bass player, has criticised music video games like Rock Band and Guitar Hero, claiming they will lead to fewer young people taking up real instruments.
"It encourages kids not to learn, that's the trouble. It makes less and less people dedicated to really get down and learn an instrument".
"I think it's a pity," he said, speaking at Abbey Road studios while recording a charity Beatles song for Children in Need.
His concerns were echoed by Pink Floyd's Nick Mason, who described the games as "an interesting new development".
Pink Floyd had not ruled out working on one in the future as a new way of selling music. But, he added: "It irritates me having watched my kids do it. If they spend as much time practising the guitar as learning how to press the buttons, they'd be damn good by now".
The news comes on the eve of the release of The Beatles: Rock Band game, which allows players to play along as The Beatles through their career in environments such as The Cavern Club in Liverpool, and Shea Stadium, the home of the New York Mets.
But Alex Rigopulos, co-founder of Harmonix Music Systems, which created the Rock Band series, refuted the musicians' claims.
"We're constantly hearing from fans who were inspired by Rock Band to start studying a real instrument," he said.
I have heard that to but am unsure of the dates and which years were affected. Funny thing, I am actually trying to sell a Tone Delux trombone.
I took it years ago when SBEC was still offering all-level music certificates that were good for life. Not very hard at that time, but I have heard that the test has become harder. I have had several of my former students take it since the test was updated and they have struggled with it.
I am currently reading an older Brass Anthology of articles from the Instrumentalist Magazine. Interesting article by Ted Evans in '52 titled " Materials for Mouthpieces ".
In it he discussing the experimentation of using various materials like: plastic, sterling silver, german silver, gold, cadmium and stainless steel.
So stainless steel had been tried many years ago and apparrently did not find wide favor amongst the professional players at the time.
Evans describes the sound of stainless steel as " producing a hard sound "
Maybe this shows that the tonal concept of brass instruments is shifting to a more strident sound? Or could it be that many players never developed the ear for a warm dark sound?
I use syllables that start with " Th " for the tip of the tongue and "Ga" for the back.
-maestro
Agree!!!!
One of the major problems concerning double tonguing on low brass instruments is clarity of the frontal attack behind the teeth. To high and clarity and tone quality will suffer. The goal is to choose a syllable that will allow articulation to take place as normal.
Why change just because you are double tonguing?
Per the discussion, here are the dates for this year's TMEA Convention.
February 10-13, 2010
Henry B. Gonzalez Convention Center
San Antonio, Texas
I played an audition one time. That was for a band program on the south side of Dallas some years ago, but I decided not to teach there.
Yes it is becoming common. Standard practice - not yet.
| City | Dealer Name | Address | Phone | Dealer Level |
| Beaumont 77706 | Texas Academy of Music | 4179 Dowlen Rd | 409-892-2227 | |
| Bryan 77803 | The String & Horn Shop | 199 N Main | 979-779-8548 | Antigua |
| El Paso 79912 | Capshaw-Olivas Music | 7401 Remcon and Mesa | 915-833-0346 | |
| Fort Worth 76116 | Ridglea Music | 6323 Camp Bowie Rd | 817-731-1831 | Antigua |
| Fort Worth 76103 | Swords Music Companies | 430 E Lancaster Ave | 817-536-8742 | Antigua |
| Garland 75041 | The Music Store | 1311 Plaza Drive 110 | 972-686-2263 | |
| Katy 77450 | Cinco Ranch Conservatory of Music LLC | 20680 Westheimer Parkway | 281-578-5873 | |
| New Braunfels 78130 | New Braunfels Music | 1028 N Business 35 | 830-626-2555 | |
| Pearland 77584 | LeRoy's Service Center | 958 Peach Blossom Dr | 713-436-5647 | |
| Porter 77365 | Andrew's Music | 23741 US 59 #7 | 281-354-0999 | |
| Round Rock 78681 | Sam Bass Music | 802 Brandi Lane | 512-246-9845 | |
| San Angelo 76901 | Tarpley Music Co. Inc | 13 E Twohig | 325-655-7381 | Antigua |
| San Antonio 78205 | Alamo Music Center | 425 N. Main | 210-224-1010 | Pro, Other |
| San Antonio 78216 | Century Music System | 214 Rhapsody Drive | 210-496-2050 | Antigua |
| San Antonio 78213 | High School Music Service | 2106 NW Military Hwy | 210-349-2775 | |
| San Antonio 78217 | Jeff Ryder's Drum Shop | 9323 Perrin Beitel Rd | 210-599-3143 | |
| San Antonio 78221 | Musical Instrument Service | 328 W Southcross | 210-924-1330 | Antigua |
| Sulphur Springs 75482 | McKay Music | 121 Gilmer St | 903-885-0074 |
It has been $25 for some years now. With lesson now paying $16 to $18 a lesson who wants to do a masterclass for $25?
-elwood
Excellent point. I almost always passed on the masterclasses for that very reason even when lessons were $13-$15.
Saw this add on Portland Oregon Craigslist:
Hello! I am creating a band of people playing music on stilts, and I am looking for some more quirky creatives to join the group. We play primarily Balkan, Klezmer, and folk-ish tunes, with an emphasis on traditional instruments. Thus far we have a wonderful violin player and a second violin, an accordion player, a vocalist, and a clarinetist. I am looking for brass - trumpet, trombone, dare I say tuba?, more reeds - clarinet, saxophone, and more percussion (and others like Jew's Harp, banjo, or your very own creation). We have a tupan (large Balkan bass drum) but no player, and would welcome a snare and other traditional drums (djembe, doumbek). NO STILT EXPERIENCE NECESSARY! We can teach you! Intermediate to advanced musicianship is needed though, as we can't teach you to play your instrument. I am looking for people committed to a weekly practice, who want to have fun, and inspire awe and wonder in our audience! Street performance is how we'll do it, and we haven't a desire for egos who want to be on a stage. Oh! And I am also seeking a keyboard/electronic person who knows how to create some electronic bass and beats to spice dis stuff up (you don't need to be on stilts).
See attached photo - ![]()
Here is the # if you are interested: JennB at 503-290-4730
Single valve bass bones are a dying breed. I still like them and prefer them in some cases over the double valve. A double valve is almost a must when considering All-State audition music tends to have low c and b naturals.
On a side note, I absolutely hate to see a middle school kid playing on a double valve bass bone with a 1G mouthpiece.
JMO.
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TMEA 2009-2010 All-State Wind/Percussion Audition Material |
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Flute and Piccolo Flute Etudes Book, Mary Karen Clardy, European American Music Corp. or Schott Etude 1: Page 12, G Major, 7. G Major Tempo: Dotted quarter note 60 - 68 Play: beginning to end Errata: The written measure numbers beginning with m.30 are incorrect (should be m. 31) Piccolo: play C# and D in m. 37 8va, C-natural in m. 38 8va, C-natural in m. 46 8va, and C# in m. 47 8va Etude 2: Page 42-43, Ab Minor, 27. Ab Minor Tempo: Quarter note 64 - 68 Play: beginning to first note in m. 36 Errata: meas. 13 - F# should be F double sharp Etude 3: Page 40-41, G# Minor, Op. 15 / 12 Tempo: Dotted quarter note 108 - 138 Play: m. 49 to end Errata: mm. 193, 195, and 197 should use the same rhythm as mm. 1, 3, and 5. In m. 119, the first A should be an A-natural followed by an A#. In m.98 the A should be natural. |
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Soprano Clarinets Artistic Studies, Book 1 - From the French School, David Hite, Southern Music Company Etude 1: Page 25, Bb Major, 40 Studies, No. 23 Tempo: Dotted quarter note 60 - 72 Play: beginning to end Errata: none Etude 2: Page 59, D Major, 32 Etudes, 13 Tempo: Quarter note 54 - 63 Play: beginning to end Errata: none Etude 3: Page 54, E Minor, 32 Etudes, 8 Tempo: Quarter note 88 - 100 Play: beginning to end Errata: none |
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Low Clarinets Artistic Studies, Book 1 - From the French School, David Hite, Southern Music Company Etude 1: Page 55, F Major, 32 Etudes, 9 Tempo: Quarter note 96 - 108 Play: beginning to end Errata: none Etude 2: Page 59, D Major, 32 Etudes, 13 Tempo: Eighth note 92 - 100 Play: beginning to end Errata: Add a slur on each sixteenth note triplet on beat three of m. 36 as in mm. 37 - 38. Etude 3: Page 65, G Minor, 32 Etudes, 20 Tempo: Dotted quarter note 50 - 60 Play: beginning to end Errata: no repeats |
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Oboe and English Horn 48 Famous Studies for Oboe or Saxophone, W. Ferling, Revised by Andraud, Southern Music Company Etude 1: Page 8, B Minor, No. 16 Tempo: Quarter note 96 - 120 Play: beginning to end Errata: none Etude 2: Page 16, C# Minor, No. 31 Tempo: Eighth note 44 - 46 Play: beginning to end Errata: none Etude 3: Page 12, F# Minor, No. 24 Tempo: Dotted quarter note 60 - 72 Play: beginning to end Errata: none |
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Bassoon Concert Studies, Opus 26, Volume I, Milde, Edited by Kovar, International Music Company Etude 1: Page 19, C# Minor, No. 10 Tempo: Dotted quarter note 60 - 84 Play: beginning to End, no d.c. al fine Errata: none Etude 2: Page 18, C# Minor, No. 9 Tempo: Quarter note 54 - 69 Play: m. 10 to end Errata: none Etude 3: Page 44-45, Bb Minor, No. 23 Tempo: Quarter note 96 - 108 Play: mm. 1-28 to m. 45-end Errata: none |
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Contra Bassoon Concert Studies, Opus 26, Volume I, Milde, Edited by Kovar, International Music Company Etude 1: Page 18, C# Minor, No. 9 Tempo: Quarter note 54 - 69 Play: beginning to m. 17 Errata: none |
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Saxophones Selected Studies for the Saxophone, H. Voxman, Rubank Etude 1: Page 7, F Major, Allegro Tempo: Quarter note 108 - 126 Play: beginning to end Errata: none Etude 2: Page 12, E Minor, Andante Tempo: Eighth note 82 - 96 Play: beginning to end Errata: Rests in mm. 66-67 should all be thirty-second note rests, not sixteenths. Etude 3: Page 46, Bb Minor, Allegretto Tempo: Dotted half note 60 - 72 Play: beginning to end Errata: none |
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Cornet/Trumpet Fourteen Characteristic Studies, J. B. Arban, Carl Fischer Etude 1: Page 5, C Major, No. 1 Tempo: Quarter note 70 - 90 Play: m. 1 to m. 34, beat 3 Errata: m.12 omit the rit Etude 2: Page 15, No. 11 Tempo: Quarter note 70 - 80 Play: eighth note pick-up to m. 21 to end Errata: change starting dynamic to mf crescendo to f in m.26 Etude 3: Page 13, Bb Major, No. 9 Tempo: Quarter note 77 - 90 Play: beginning to m. 36, beat 3 Errata: none |
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F Horn 40 Characteristic Etudes, Kling, Ed. and Rev. - Sansone, Southern Music Company Etude 1: Page 16-17, G Major, No. 19 Tempo: Quarter note 84 - 100 Play: beginning to end Errata: none Etude 2: Page 29, G Minor, No. 33 Tempo: Eighth note 88 - 96 Play: beginning to end Errata: none Etude 3: Page 26, F Major, No. 29 Tempo: Quarter note 54 - 63 Play: beginning to end Errata: Beat 2 in mm. 2, 4, and 6 should have emphasis (like a down bow), but not necessarily be played marcato as indicated in m. 2, beat 2. In m. 28, the second half of beat 4 should be an E natural and not an E-flat. In m. 40, the two 32nd notes on the second half of beat 2 should have staccato markings. |
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Tenor Trombone Selected Studies, H. Voxman, Rubank / Hal Leonard Etude 1: Page 16, F Minor, F Minor - Allegretto Tempo: Dotted quarter note 60 - 72 Play: beginning to end Errata: none Etude 2: Page 48, C# Minor, C# Minor - Lento Tempo: Eighth note 68 - 82 Play: beginning to end Errata: Omit low C# in last measure. Play written upper C#. Etude 3: Page 37, B Minor, B Minor - Allegro Tempo: Eighth note 184 - 200 Play: beginning to end Errata: none |
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Bass Trombone Technical Studies for Bass Trombone, D. Knaub, RBC Etude 1: Page 13, E Minor, No. 13 Tempo: Quarter note 80 - 92 Play: beginning to end Errata: none Etude 2: Page 26, C Major, No. 26 Tempo: Quarter note 70 - 82 Play: beginning to end Errata: Measure 16 on beat 4 is a quarter note. Etude 3: Page 23, C Major, No. 23 Tempo: Quarter note 70 - 78 Play: beginning to end Errata: none |
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Euphonium Selected Studies, H. Voxman, Rubank / Hal Leonard Etude 1: Page 14-15, Ab Major, Ab Major - Allegro marziale Tempo: Quarter note 112 - 126 Play: beginning to first note, m. 46 Errata: none Etude 2: Page 2, Bb Major, Bb Major - Adagio Cantabile Tempo: Quarter note 72 - 80 Play: beginning to end (no repeats) Errata: Decrescendo is missing in m. 53 in trumpet edition, indication of fortissimo starting on beat three of measure 45 is noted as forte in the trumpet edition (should be fortissimo) Etude 3: Page 29, E Minor, E Minor - Maestoso Tempo: Half note 84 - 96 Play: beginning to end (no repeat) Errata: none |
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Tuba 70 Studies, Vol. I, Blazhevitch, Robert King Music Etude 1: Page 17, Bb Major, No. 18 Tempo: Quarter note 88 - 108 Play: beginning to end Errata: none Etude 2: Page 8, D Minor, No. 9 Tempo: Quarter note 76 - 84 Play: beginning to m. 35 Errata: none Etude 3: Page 38-39, A Major, No. 35 Tempo: Quarter note 76 - 88 Play: beginning to count 1 of m. 36 Errata: none |
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Percussion - Snare The Solo Snare Drummer, Firth, Carl Fischer Etude 1: Page 24, No. 21 Tempo: Half note 88 - 94 Play: beginning to end Errata: none |
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Percussion - Keyboard: Two Mallet Modern School, M. Goldenberg, Chappell Etude 1: Page 73, Ab Major, XV Tempo: Quarter note 84 - 92 Play: beginning to end Errata: Last measure - 3rd sixteenth in count 2 should be played as a B-flat. Some editions do not have this marked. |
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Percussion - Keyboard: Four Mallet Marimba: Technique Through Music, Mark Ford, Innovative Percussion Inc Etude 1: Page 36-37, A Minor, Kain Tempo: Quarter note 124 - 130 Play: beginning to downbeat of m. 35 (with repeats) Errata: none |
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Percussion - Timpani The Solo Timpanist, Firth, Carl Fischer Etude 1: Page 15, VII Tempo: Dotted quarter note 96 - 104 Play: beginning to end Errata: none http://www.tmea.org/ |
Have you looked in a Crystal Records catalog?
Clyde Hunt has a number of cd's available.
I am almost certain that I remember hearing a recording of Arban Studies at some point.
Let us know what you find.
Much in the news about the Swine Flu. I am curious to see how all of it will affect schools and all of the various regulatory admin. bs that is sure to follow and really throw a monkey wrench into the music lesson profession.
Texas has report 17 Swine Flu deaths as of late and Hong Kong is stating that there is a case of Tamiflu resistance. Also England Health Minister is predicting somewhere up to 40 deaths a day possible by the end of the Summer.
Maestro:
Don't worry, I am not drinking my urine yet! ![]()
Hi, I'm new here and this old post caught my attention.
I have taught clarinet privately for over 20 years, and I am a regular reader of [url] (the Clarinet B Board). I have learned so much more from that forum than I ever learned in 14 years of private lessons . (Excluding actual technique, performance practice, and the like, of course........) It has broadened my horizons tremendously and helped me stay on top of new information and developments in the clarinet world.
Nice to meet you all,
Pixie
-bandaddict
Thanks for the link. I have visited that sight before. Do me a favor and post that sight and others that you have benefited from on the following thread. http://texasprivateteachers.lefora.com/2009/06/04/web-links-to-instrument-societies/page1/#post13713000
Hope to see more of your posts on this forum.
There was a band director in Mansfield that told his students not to take from this person or that person. A real piece of work he was. Caused a lot of problems. Wouldn't let kids move up to higher bands unless they took from such and such teacher. He was a real ass. Last I heard he was in Wylie on the NE side of Dallas.
If you are on that side of the Metroplex, watch out. I will take a look around and see where he is and maybe drop a note here on this board as a warning.
Warren Buffett in a recent interview said that we still have a ways to go. I will listen to Buffet before Obama, Geithner or any others in the cabinet or on staff.
Ever noticed how a lot of the directors that pump the metronome through the speakers talk really obnoxiously loud? There is one up in Southlake that is like that. During a normal conversation it is as if he is yelling at you. Give it a few more years and he probably could be classified as being legally deaf.
What part of the year are you most susceptible to burnout. Also what contributes most to your burnout?